No Country For Old Men

Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.

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Crime Movies: Taken - Directed by Pierre Morel

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Blitz - Jason Statham Crime Movies

Detective Sergeant Tom Brant who is dispatched to take down a serial killer hell bent on killing off the police force one by one. "The Blitz" manages to slip through the grasp of Tom every time, and with the precious lives of his colleagues diminishing one by one, Tom is led to the question: if we can't protect our own, then what good are we?

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Runtime: 97 min

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Richard Gere's Best Movies | Brooklyn's Finest Directed By Antoine Fuqua

In Brooklyn, amid drug deals, violence, casual racism, poverty, housing projects, and corrupt cops, we follow three officers: Tango, African-American, working undercover, believing he's earned a promotion to a desk job but told he has to set up the bust of an ex-con who saved his life; Sal, who'll commit murder to get cash to buy a house big enough for his family; and, Eddie, the precinct's oldest beat cop, a week to go before retirement, assigned to mentor an earnest rookie. Can this end well for any of the three?

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Taglines:
Every man has a moment of truth.
This is War. This is Brooklyn.

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Movies Based On Videogames | Tekken Directed By Dwight H. Little

Jin Kazama witnesses the death of his mother Jun by Tekken in the slums known as Anvil. After finding a Tekken ID he decides to seek out vengeance for his mother's death

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Martial Arts Movies: 2009 Ninja | Behind The Scenes With Scott Adkins

2009 Ninja [Revenge Will Rise] Movie Trailer And Details

Ninja Best Fight Scenes

Ninja (2009)
Soundtrack Music by Stephen Edwards

Tracklisting
1. Main Title [2:18]
2. Fight Ejection [3:45]
3. History Lesson [2:40]
4. Learn from Casey [1:30]
5. Theatre Massacre [2:40]
6. Painful Past [1:49]
7. Masazuka Turns [2:51]
8. Mother Theme [1:31]
9. Sensei Killed [5:19]
10. Casey's Solemn Duty [1:14]
11. Dart to Da Neck [1:10]
12. Police Station Melee [4:18]
13. Namiko in Trouble [3:57]
14. Whoopass Latte [1:43]
15. Yoroi Bitsu History Lesson [0:51]
16. Casey the Ninja [4:50]
17. Ninja Honor [3:49]
18. Namiko's Waltz [1:22]
19. End Credits [3:39]

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2008 USA Movies | 21 [Blackjack] Directed By Robert Luketic

Ben Campbell is a young, highly intelligent, student at M.I.T. in Boston who strives to succeed. Wanting a scholarship to transfer to Harvard School of Medicine with the desire to become a doctor, Ben learns that he cannot afford the $300,000 for the four to five years of schooling as he comes from a poor, working-class background. But one evening, Ben is introduced by his unorthodox math professor Micky Rosa into a small but secretive club of five. Students Jill, Choi, Kianna, and Fisher, who are being trained by Professor Rosa of the skill of card counting at blackjack. Intrigued by the desire to make money, Ben joins his new friends on secret weekend trips to Las Vegas where, using their skills of code talk and hand signals, they have Ben make hundreds of thousands of dollars in winning blackjack at casino after casino. Ben only wants to make enough money for the tuition to Harvard and then back out.

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2011 Movies | Hanna Directed by Joe Wright

 Storyline  Hanna (Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the smarts of a soldier; these come from being raised by her father (Bana), an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Ms. Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. 

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Runtime: 111 min

 Neighborhood-2 [Laika] - Arcade Fire

 
Trivia  The script was listed on both the 2006 and 2009 Black List, an annual list of the best unproduced screenplays of the year.  

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Ninja Movies: 2009 Ninja | Scott Adkins Best Fight Scenes

BEST FIGHT SCENES OF THE MOVIE (WorthWatching):

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USA Movies: 2009 Ninja [Revenge Will Rise] | Directed by Isaac Florentine

Ninja Movies: 2009 Ninja | Scott Adkins Best Fight Scenes

Martial Arts Movies: 2009 Ninja | Behind The Scenes

A westerner named Casey, studying Ninjutsu in Japan, is asked by the Sensei to return to New York to protect the legendary Yoroi Bitsu, an armored chest that contains the weapons of the last Koga Ninja.

Motion Picture Rating (MPAA)
Rated R for violence throughout

Languages:
English | Japanese | Russian | Spanish

Runtime: 86 min

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1994 | The Shawshank Redemption Movie Trailer

TITLES:

"The Shawshank Redemption" - (1994) - United States (Original Title)

"Sueño de fuga" - Internacional (Spanish Title)

"Sueños de libertad" - Argentina, México (Title for TV)

"Sueño de libertad" - Uruguay

"Sueños de fuga" - Chile

"Cadena Perpetua" - Latino

Synopsis: Andy Dufresne, is sent to Shawshank Prison for the murder of his wife and secret lover. He is very isolated and lonely at first, but realizes there is something deep inside your body, that people can't touch and get to....'HOPE'. Andy becomes friends with prison 'fixer' Red, and Andy epitomizes why it is crucial to have dreams. His spirit and determination, leads us into a world full of imagination, filled with courage and desire. Will Andy ever realize his dreams?

Director: Frank Darabont

Writers (WGA): Stephen King (short story "Rita Hayworth and Shawshank Redemption")

Release Date: 23 September 1994 (USA) more

Genre: Crime | Drama

Tagline: Fear can hold you prisoner. Hope can set you free.

Awards: Nominated for 7 Oscars. Another 12 wins and 13 nominations

Runtime: 142 min

Country: USA

Language: English

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USA MOVIES: 1994 Above The Rim [Play Off] Directed By Jeff Pollack

Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.



 

Taglines:

The Hardest Part Of Winning Is Choosing Sides.
Some games you play. Some games play you.

3 Memorable Scenes Of Tupac And Leon

 

Memorable quotes for Above the Rim (1994)

Mailika: You're a runner, Tom. And I just don't have time for that.


Mailika: What about you? Where does your mind run to?
Shep: Nowhere. It's just stuck. It's the rest of me that does the running.
Mailika: That's too bad. Folks either move past the things that happen to them, or they stop moving at all. But you're young. You can do anything, except sing.
Shep: I can sing a little bit.
Mailika: Not even a little bit.


Shep: Excuse me? You think you can just kiss me anytime you feel like it?
Mailika: Yeah, that's right.
Shep: I guess that answers that.


SOURCE: IMDb.com

http://rockandmusic.ws/2010/09/blue-dress-depeche-mode.html http://rockandmusic.ws/2010/06/feeling-good-muse.html http://rockandmusic.ws/2010/07/counting-bodies-like-sheep-to-rhythm-of.html

Random part of the movie

 

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SPORTS MOVIES Gridiron Gang [2006] Movie Trailer

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USA Crime Movies: 1995 Se7en - Directed By David Fincher

Storyline: A film about two homicide detectives' desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" sermonizes to Detectives Sommerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured Sommerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while green Detective Mills scoffs at his efforts to get inside the mind of a killer...

- This was voted the eighth scariest film of all time by Entertainment Weekly..

- Brad Pitt earned $7 million for this film.

- The word "fuck" and its derivatives are said a discernible 74 times throughout the movie, mostly by Brad Pitt.





Taglines:

1. Long is the way, and hard, that out of hell leads up to light.
2. Detective Somerset is looking for a way out. Detective David Mills is looking for a way in. Now, they're caught in a game with a price of sin is death.
3. Seven deadly sins. Seven ways to die.
4. Gluttony * Greed * Sloth * Envy * Wrath * Pride * Lust
5. Let he who is without sin try to survive
6. Earnest Hemingway once wrote, "The world is a fine place and worth fighting for." I believe the second part.

Genres:
Crime | Drama | Mystery | Thriller

Technical Specs
Runtime: 127 min







Crazy Credits
The opening credits are done over broken, blurred images of John Doe removing the skin from his fingertips and sewing it into his journals


TRIVIA

• All of John Doe's books were real books, written for the film. They took two months to complete and cost $15,000. According to Somerset, two months is also the time it would take the police to read all the books.
• While filming the scene where Mills chases John Doe in the rain, Brad Pitt fell and his arm went through a car windscreen, requiring surgery. This accident was worked into the script of the film. Ironically, the original script did call for Pitt's Det. Mills character to be injured during this sequence--but to something other than his hand.
• The screenplay had references to a partner Mills had when he still lived in the country, named Parsons. Parsons was shot and killed while on a bust with Mills, and consequently Mills is overprotective of Somerset in some scenes. All references to Parsons were deleted before shooting began.
• Mills and William Somerset discuss the book "Of Human Bondage", which was written by W. Somerset Maugham.
• All the building numbers in the opening scene start with 7. The climactic delivery was scheduled for 7pm.
• At exactly 7 minutes into the film Mills picks up the phone to be called over to the Gluttony scene.
• The producers intended that Kevin Spacey should receive top billing at the start of the movie but he insisted that his name not appear in the opening credits, so as to surprise the audience with the identity of the killer. To compensate, he is listed twice in the closing credits: once before the credits start rolling, and once in the rolling credits in order of appearance. Another advantage from Spacey's point of view, as he saw it, was that he was excluded from the film's marketing during its release, meaning he didn't have to make any public appearances or do any interviews.
• As preparation for his traumatic scene in the interrogation room, Leland Orser would breathe in and out very rapidly so that his body would be overly saturated with oxygen, giving him the ability to hyperventilate. He also did not sleep for a few days to achieve his character's disoriented look.
• Morgan Freeman's son, Alfonso Freeman, played the part of a fingerprint technician.
• The box full of photographs at the "Sloth" scene has written on the side "To the World, from Me."
• Before Kevin Spacey was set to shoot his first scene, he asked director David Fincher if he should shave his head for the role. David Fincher replied "If you do it, I'll do it." Both Fincher and Spacey were bald for the remainder of the movie production.
• Gwyneth Paltrow was David Fincher's first choice for the part of Brad Pitt's wife, having impressed him with her work in Flesh and Bone (1993). Paltrow was initially not interested so Fincher had to ask her then boyfriend - Brad Pitt - to get her to come in and meet with him.
• Kevin Spacey was cast two days before filming began.

WARNING: Here Be Spoilers

SPOILER: Even though he's probably one of the most horrifying and sadistic killers in cinematic history, John Doe isn't seen killing anyone on screen.

SPOILER: To appease the producers, who wanted to soften the dramatic ending a bit, an alternate version of the ending was storyboarded, with Somerset saying that he "wants out", and killing John Doe, thereby preventing Doe from winning, and Mills from ending up in jail. In the mean time, the crew shot a test ending, which is basically the theatrical ending without some of the dramatic shots. This finale was so well received in screenings that it convinced the producers to go along with it, and not even film the alternate ending.

SPOILER: It is raining every day in the movie except for the last day. The reason is less about thematic issues and more about continuity. It rained on the first day that Brad Pitt filmed so they kept it going as they were rushing to do all of Pitt's scenes before he left to go make Twelve Monkeys (1995).

SPOILER: Kevin Spacey as the antagonist, John Doe, made his first appearance in the film, as the photographer taking pictures of Brad Pitt and Morgan Freeman at the sloth crime scene. If you pause the film at 54:45, when Pitt's character was slapping the camera out of the photographer's hand, you can clearly see that, it is Kevin Spacey.

SPOILER: John Doe only kills one of the "sinners" himself, and even that one is by accident (kicking Gluttony to wake him up, which makes his stomach burst). All of his other victims either kill themselves (Greed & Pride) or are killed by other people (Lust & Envy) or survive (Sloth & Wrath). The only murder John Doe actually commits intentionally by his own hand is Tracy Mills.






GOOFS:

* Revealing mistakes: The dead gluttony victim can be seen breathing.

* Revealing mistakes: Uneven dispersal of rainfall on the windows of the car.

* Revealing mistakes: Doe hits Mills on the top of the head, then leaves him behind, bleeding. If you look carefully, you can see a tube running on top of Mills' head, presumably carrying the fake blood to his forehead.

* Revealing mistakes: When the police are inspecting the body of the "lust" victim, you can see her blinking at the beginning of the scene.

* Revealing mistakes: Freeze-framing the film on the legible portions of John Doe's hand-written journal (while Somerset is turning pages) reveals one page identical to the preceding one.

* Revealing mistakes: When Somerset returns to the Gluttony crime scene, he uses his pocket-knife to cut the police tape which is securing the door. This tape is on the inside of the door, which is pointless (as it is supposed to be seen by people, to warn them away from the crime scene) and impossible, unless the police taped up the door and then climbed out of the windows.


* Revealing mistakes: When we first see the crime scene for lust, the man with the large leather strap-on device has a white sheet draped over him to cover the obviously disturbing contraption. Even though it was recently used to stab the female to death through intercourse and should be covered in blood, there are no soaked through blood stains on the sheet.

* Revealing mistakes: While it is raining on the car, the people on the street are not using umbrellas or other devices to shield themselves from rain.

* Revealing mistakes: At the "Sloth" murder scene, John Doe has amputated the victim's hand in order to leave fingerprints at other murder scenes. When the police examine the victim, tied to his bed, the handless, prosthetic left arm built from the scene is visible, as well as the actor's real (and intact) left arm, strapped to the side of his body.

* Revealing mistakes: As Mills and Somerset leave the Captain's office after submitting the report on their first job together, Somerset walks across the screen to leave the room. In the bottom-left side of the screen, the red marker tape he is standing on is clearly visible in the shot.

* Continuity: Mills gets out of a bed with only a quilted mattress cover. He puts on his shirt and tie and walks back to the bed which now has a sheet on it.

* Continuity: Detective Mills' tucked-in tie when he is looking at the portrait in the greed victim's office.

* Continuity: The amount of the name that is left on the door when the janitor is scraping it off.

* Continuity: The phone on Detective Mills' desk changes several times when he enters his new office.

* Continuity: The layout of John Doe's apartment conflicts with the hallway of the building. In the outside hallway, there is a window looking onto the building next door. Inside the apartment, there are rooms where the window would be.

* Continuity: On the drive back from the Gluttony victim, the car has two different kinds of windshield wiper: one that goes side to side, and one that goes up and down.

* Continuity: When Somerset is in the taxi on the way to the library, he is wearing a striped shirt under his overcoat. When he gets to the library and is chatting with the security guards he is wearing just a solid white shirt.

* Continuity: The level of the wine glasses when Somerset is over for dinner changes. When the camera is on the Mills, Mrs. Mills glass is higher than Somerset's glass. When the camera is on Somerset, the levels are both lower and equal.

* Continuity: The direction of the light varies between shots during the final scene.

* Continuity: When Somerset is in the library making copies, a plan of Dante Alighieri's Purgatory comes out of the copy machine, but the label at the bottom of the page identifies it as Dante's Inferno.

* Continuity: When Somerset is in the greed victim's office dusting the wall for prints behind the painting, he does so with his left hand. However, the close-up shot of the hand doing the dusting is clearly a right hand.


* Crew or equipment visible: At the end of the scene where both witnesses of the "Lust" crime scene are interrogated, there is a slow track from one interrogation room to the other. In the tracking shot, you can see the camera dolly reflection at the bottom of the two-way mirror.

* Incorrectly regarded as goofs: The movie is set in a fictitious city, so the nearby desert is not a geographical error.

* Incorrectly regarded as goofs: Just before the greed scene, several newspaper headlines state that Defense Attorney Eli Gould had been murdered. Hence, Mills and Somerset refer to him as "the biggest defense lawyer in town." (Casual viewers might have misread the headlines.)

* Incorrectly regarded as goofs: There are at least 3 copies of Dante Alighieri's Divine Comedy which Somerset places on the table. The red-bound copy which is the focus of an earlier shot is seen underneath a copy of Geoffrey Chaucer's The Canterbury Tales. Beneath the red one is a larger printing of the book with a dust-jacket, and at the top of the other pile is a smaller, blue-covered version of the book.

* Factual errors: Somerset states in the film that there are "7 cardinal virtues, and 7 deadly sins". It is generally more accepted, and stated by Thomas Aquinas, that there are only 4 cardinal virtues, the other 3 virtues being theological.





WARNING: Here Be Spoilers

Goofs below here contain information that may give away important plot points. You may not want to read any further if you've not already seen this title.

* Incorrectly regarded as goofs: SPOILER: John Doe kills his victims because they have committed one of the seven deadly sins, but he tells Mills that they were innocent. He was being ironic.

* Continuity: SPOILER: On the way to finding the final two victims, the overhead shots show them to be driving in the desert, while shots from inside the car show grey and green flora outside the windows.

* Continuity: SPOILER: When Mills orders Jon Doe to the ground in the police station, on the stairs behind two police officers are visible. Then there is a cut to a shot from the stairs looking down, and no police officers can be seen. Cut again and they reappear.

* Continuity: SPOILER: In the scene taking place in the car heading out to find the final two victims, the grating in the vehicle changes. It is more curvy when the camera is on John Doe, while it is very straight when the camera is looking at Mills from John Doe's point of view. It also disappears occasionally, such as then the camera is on Somerset or when it is on Mills, but not from John Doe's point of view.

* Continuity: SPOILER: When Mills orders Jon Doe to the ground in the police station, Jon Doe is covered in blood but doesn't leave any blood on the floor, even though the police officer who handcuffs him gets blood on himself.

* Revealing mistakes: SPOILER: John Doe's package, delivered by "Crosstown Express", has UPS International shipping papers attached to it.


SOURCE: IMDb.com






MEMORABLE QUOTES FROM JOHN DOE

John Doe: I visited your home this morning after you'd left. I tried to play husband. I tried to taste the life of a simple man. It didn't work out, so I took a souvenir... her pretty head.

John Doe: What sick ridiculous puppets we are / and what gross little stage we dance on / What fun we have dancing and fucking / Not a care in the world / Not knowing that we are nothing / We are not what was intended.

John Doe: Wanting people to listen, you can't just tap them on the shoulder anymore. You have to hit them with a sledgehammer, and then you'll notice you've got their strict attention.

John Doe: Become vengeance, David. Become wrath.


MEMORABLE QUOTES FROM DAVID MILLS

David Mills: I don't think you're quitting because you believe these things you say. I don't. I think you want to believe them, because you're quitting. And you want me to agree with you, and you want me to say, "Yeah, yeah, yeah. You're right. It's all fucked up. It's a fucking mess. We should all go live in a fucking log cabin." But I won't. I don't agree with you. I do not. I can't.


David Mills: Fuckin' Dante... poetry-writing faggot! Piece of shit, motherfucker!

David Mills: C'mon, he's insane. Look. Right now he's probably dancing around in his grandma's panties, yeah, rubbing himself in peanut butter.

David Mills: You're no messiah. You're a movie of the week. You're a fucking t-shirt, at best.

David Mills: Who knows. So many freaks out there doin' their little evil deeds they don't wanna do... "The voices made me do it. My dog made me do it. Jodie Foster told me to do it."

David Mills: I've been trying to figure something in my head, and maybe you can help me out, yeah? When a person is insane, as you clearly are, do you know that you're insane? Maybe you're just sitting around, reading "Guns and Ammo", masturbating in your own feces, do you just stop and go, "Wow! It is amazing how fucking crazy I really am!"? Yeah. Do you guys do that?







MEMORABLE QUOTES

John Doe: It's more comfortable for you to label me as insane.

David Mills: It's VERY comfortable.


William Somerset: [to Tracy] Anyone who spends a significant amount of time with me finds me disagreeable. Just ask your husband.
David Mills: Very true. Very, very true.


William Somerset: I just don't think I can continue to live in a place that embraces and nurtures apathy as if it was virtue.
David Mills: You're no different. You're no better.
William Somerset: I didn't say I was different or better. I'm not. Hell, I sympathize; I sympathize completely. Apathy is the solution. I mean, it's easier to lose yourself in drugs than it is to cope with life. It's easier to steal what you want than it is to earn it. It's easier to beat a child than it is to raise it. Hell, love costs: it takes effort and work.


David Mills: Has he tried to speak or communicate in any way?
Dr. Beardsley: Even if his brain were not mush, which it is, he chewed off his own tongue long ago.
William Somerset: Uh... Doc, is there absolutely no chance that he might survive?
Dr. Beardsley: Detective, he'd die of shock right now if you were to shine a flashlight in his eyes. He's experienced about as much pain and suffering as anyone I've encountered, give or take... and he still has hell to look forward to. Good night.



William Somerset: This guy's methodical, exacting, and worst of all, patient.
David Mills: He's a nut-bag! Just because the fucker's got a library card doesn't make him Yoda!


[William Somerset looks at an object in the road]
David Mills: What do you got?
William Somerset: Dead dog.
John Doe: I didn't do that.


William Somerset: If John Doe's head splits open and a UFO should fly out, I want you to have expected it.


California: Somebody call somebody.


William Somerset: Did the kid see it?
Detective Taylor: What?
William Somerset: The kid
Detective Taylor: What the fuck sort of question is that? You know, we're all going to be really glad when we get rid of you, Somerset. It's always these questions with you. "Did the kid see it?" Who gives a fuck? He's dead, his wife killed him. Anything else has nothing to do with us.


David Mills: Now, I wasn't standing around guarding the taco-bell, alright? I worked homicide for five years.
William Somerset: Not here.
David Mills: I understand that.
William Somerset: Well, over the next seven days, Detective, you'll do me the favour of remembering that.


David Mills: I seem to remember us knocking on your door.
John Doe: Oh, that's right. And I seem to remember breaking your face.


Police Captain: [answering phone that interrupted his conversation] This is not even my desk!
[hangs up]


William Somerset: We'll just talk to him.
David Mills: Uh huh. Yeah. Excuse me, sir. Are you, by any chance, a serial killer? Okay.
William Somerset: You do the talking. Put that silver tongue of yours to work.
David Mills: Have you been talking to my wife?


[picks up the phone]
David Mills: Hello?
John Doe: I admire you. I don't know how you found me, but imagine my surprise. I respect you law enforcement agents more everyday.
David Mills: Well, I appreciate that... John. I tell you...
John Doe: No, no, you listen, all right? I'll be readjusting my schedule in light of today's little... setback. I just had to call and express my admiration. Sorry I had to hurt... one of you, but I really didn't have a choice, did I?
David Mills: Hmm.
John Doe: You will accept my apology, won't you? I feel like saying more, but I don't want to ruin the surprise.
[hangs up]


David Mills: [greeting his wife after coming home from work] Hey, loser.
Tracy Mills: Hi, idiot.


William Somerset: [after finding out that Detective Mills's apartment is close to the railway tracks] Just a soothing, relaxing, vibrating home huh?
[chuckles to himself]
William Somerset: [recovers] I'm sorry.
[laughs hysterically, Tracy joins in]



SOURCE: IMDb.com

Blogalaxia Tags: trailer, cinema, videos, hollywood, films, movies, official+video,

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Sherlock Holmes Directed By Guy Ritchie [2009]

Detective Sherlock Holmes and his stalwart partner Watson engage in a battle of wits and brawn with a nemesis whose plot is a threat to all of England.
Tagline: Mark Strong is Blackwood
- Nothing Escapes Him
- Dangerously Alluring
- Depraved Adversary
- Holmes for the Holiday.
- Robert Downey Jr. is Holmes
- Jude Law is Watson
- Rachel McAdams is Adler

Runtime: 128 min.



Storyline: Storyline

After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler.
Blogalaxia Tags: trailer, cinema, videos, hollywood, films, movies, official+video


GOOFS: Anachronisms:

- In the scene following Holmes' leap from the House of Parliament, a statue of Queen Boudicca can be seen at the end of Westminster Bridge. The statue was erected in 1902, 8 years after the opening of Tower Bridge, which is partially built in the film.

- Characters refer to radio waves. The term "radio" was first used as a noun in 1907.

- One shot of the Clocktower of the Palace of Westminster (commonly known as Big Ben) shows Portcullis House, the UK MP's offices, with its distinctive chimney stacks, to the right. Portcullis House was built in 2001.

- Modern, bright red cranes appear in several background shots.

- Early in the film, Holmes reads a Daily Graphic dated 13 November 1890. The front page features a report of Blackwood's impending execution, accompanied by photographs of Blackwood, Holmes, and Watson. The Daily Graphic was the first newspaper to print a halftone photograph, but it started in 1891.

- In many scenes, Sherlock Holmes wears a shirt with an attached collar. That was introduced by Van Huesen in 1929.

- When Sherlock Holmes is experimenting with the effects of music on flies, he mentions that the flies fly in an organized fashion when he plays "atonal" clusters. "Atonal" music was first written around 1908, by composer Arnold Schönberg.

- Just prior to his hanging, Blackwood is told he has been sentenced to death for "the practice of black magic". British law has not recognized magical acts since the Witchcraft Act of 1735. The only prosecutions have been against those who commit fraud by pretending to cast spells.

- In the beginning, Holmes tests the revolver silencer. His gun is an 1895 Nagant revolver, with the Soviet Tula arsenal mark (hammer inside the star) and 1941 (the year of manufacture) below it.

- Holmes describes his opponent's wild punch in the bare-knuckle fight as a "haymaker." The earliest recorded use of "haymaker" as a fighting term comes from the National Police Gazette in 1906. "One of those ... fellows is going to get the 'haymaker' over on your jaw." (Source: www.phrases.org)

- Holmes describes the devices used to kill one of the villain's opponents and torch the abattoir as "employing a flammable substance." "Flammable" entered the language in the early 20th century, as a disambiguation of "inflammable," which means the same thing, but was mistaken for its antonym, "non-flammable." For safety reasons, it became preferable to use "flammable" when giving warnings about combustibility.

- During Irene's first conversation with Holmes, she says she brought dates from Jordan. The country of Transjordan was established in 1921; the name changed to Jordan in 1949.

- Watson uses a streamlined, mercury-filled sphygmomanometer to take the Colonel's blood pressure. The instrument wasn't widely available, or widely used, until 1901.

- When Holmes and Watson are in jail, close-ups of Jude Law reveal a hearing aid in his left ear.

- SPOILER: Lord Blackwood is on Death Row (and presumably hanged) at H.M.P. Pentonville. London's death row was at H.M.P. Newgate until 1902.



GOOFS: Continuity

- During the bare-knuckle fight scene, Holmes is clearly tanned. When he is shackled to Adler's bedposts, his body is not tanned.

- When Holmes, Watson, and Irene are in the attic and Holmes is explaining the crime, Irene kneels to the ground to put a candle down to flatten out the map. In the next shot, she puts the candle on the map again.

- When Irene is running across the rooftops with the gas tanks, she holds each chamber in different hands. When Lord Blackwood takes the device, both pieces are together, obviously welded.

- When Holmes and Watson are taken to Lord Blackwood's slaughter house, they both jump from the Lucy into the shallow water near shore and make their way to the building. In the very next scene, their clothes are dry.

- During Adler's first fight scene, a handkerchief is on the ledge. Holmes goes to look for the owner, is punched, spins around, and falls to the ground. The handkerchief is missing. When he stands back up, the handkerchief is back.

- During the fight on the bridge, Holmes uses a net to hurl away from Lord Blackwood. In the next shot, the net disappears.

- At the beginning, one establishing shot of London that includes a fully-built Tower Bridge. Later, during the big fight scene, it is only half-built.

- In slow motion, Holmes demonstrates that he will dislocate the large man's jaw with his left elbow. The move is missing during the real-time fight sequence.

- When Holmes performs the magic ritual he cuts his fingers on a sharp knife to drip blood in middle of the circle. The next morning when talking to Watson and Irene, there is no sign of trauma to either of his thumbs.

- In the first overhead shot of street traffic, vehicles are driving on the right. The rest of the traffic shots show them driving on the left.

- During the bare-knuckle fight scene, Holmes gets a cut on his left lower lip. There is blood from it on his shirt when Watson comes to get him to meet Lord Blackwood before the execution. In the next scene, when Holmes and Watson are on their way to the prison, there is no sign of the cut on Holmes lip. Yet it is clearly visible in the prison scene that follows.

- The first few shots of the cemetery, where Blackwood was buried, were shot at a different time than the subsequent shots. Initially, the shadows are almost parallel to the length of the road. In later shots, they're at an acute angle.

- In the slaughterhouse scene as Holmes and Watson free Irene before she is sliced by the band saw, clearly she is shown being saved by Holmes' quick hand. In the very next shot it shows Watson pulling her up and Irene thanks Watson for saving her.

- Continuity: At the end during the fight scene, Lord Blackwood knocks Irene off the platform. There's nothing below her (you can see the water and boats). Later she's shown to be lying on another platform with her legs at odd angles.

- SPOILER: Towards the end of the film when Irene and Sherlock are together on the some sort of platform along the rooftops, there is no visual on the necklace being worn by Irene. Yet on the next shot when Sherlock rips off the necklace, she is suddenly seen wearing the necklace.




GOOFS: Errors made by characters (possibly deliberate errors by the filmmakers):

- Ambassador Standish is referred to as the American ambassador to the United Kingdom and the English Ambassador to America. Based on his accent, he is clearly the former.

- Mary Morstan, Watson's fiancée, says she is a fan of detective novels, including those by Poe. Edgar Allan Poe wrote short detective stories, not novels.

- At the end of the restaurant scene, in which Holmes analyzes Mary, who leaves in disgust, Holmes uses a knife and fork to cut up and eat his meal. He holds the fork vertically between thumb and index finger, American-style.

- Holmes sniffs a bottle of an unknown chemical by sticking his nose in an taking a deep whiff. The safe way to smell chemicals, which has been practiced for over 200 years, is to use the hand to gently waft the fumes towards the nose. As a man with some background in chemistry, Holmes would surely have known that.

- During the opening titles we see the front page of the Illustrated Paper. The sub-heading of the headline story reads

'Sherlock Holmes Aides Police' instead of 'Sherlock Holmes Aids Police'.

- In the first scene, Sherlock Holmes tells Watson "It is ten o'clock." The clock on the wall says eight o'clock.

- When Blackwood talks to Ambassador Standish at the secret society meeting, he says America has been weakened by its recent Civil War. The Civil War ended in 1865, and the Reconstruction was over by 1877, so by 1891 when the film takes place, America was hardly in a weakened state.

- Holmes says Sir Thomas Rotheram is the Lord Chief Justice of England and Wales. That makes him a peer, so his title would be "Lord", not "Sir", which signifies knighthood.

GOOFS

Incorrectly regarded as goofs: In the slaughterhouse, the dead pigs are transported straight from the flaming to the band saw. When the band saw cuts them apart, the pigs are hollow, with no internal organs. However, near the end of the movie during Holmes' elaborate explanation of the conjuring tricks, he explains that the stomachs of the pigs were the experimental subjects of a cyanide poison. It is possible the pigs were cut open or the organs were dissolved in the experiments.

Incorrectly regarded as goofs: When the camera flips over during the chase of the big man, the modern symbol for 'this way up' appears on a packing crate. Even so, this is clearly a joke by the filmmakers, as the crate is shown to be wrong way up.

Incorrectly regarded as goofs: In the film, 221b Baker Street has 3 steps to the front door. Modern-day 221b Baker St. has a street-level entrance. In 'Arthur Conan Doyle''s day, the address was fictional, and thus has no "real" representation.

Incorrectly regarded as goofs: Although Sherlock Holmes refers to the book of Revelation as "Revelations", it is noted by Watson in the 'Arthur Conan Doyle' novel "A Study in Scarlet" that Holmes' knowledge was limited to what he found relevant to his detective work, and in fact that he had very little knowledge of literature or philosophy.

Incorrectly regarded as goofs: When Dredger meets Holmes for the second time, he quips "Tu m'as manqué?", which can mean "I felt your absence" or "you didn't hit me". In this situation, "Tu m'as manqué" is a perfect translation for "you missed me".

Incorrectly regarded as goofs: In 1891, the statue of Eros (a.k.a. Anteros) in Piccadilly Circus pointed southwest, towards parliament. It changed direction, pointing toward Shaftesbury Avenue, sometime after 1896.

Incorrectly regarded as goofs: In Reordan's laboratory, Holmes says he smells candy floss. Candy floss (a.k.a. cotton candy) wasn't available to the general public until 1904, but it was invented in the mid-18th century. Holmes was often employed by wealthy people, so he could've had it before.

Incorrectly regarded as goofs: SPOILER: Even though Sherlock Holmes did not witness Standish's murder, he was still able to describe it presumably because Inspector Lestrade, who was both a member of the secret society and also held Holmes in his confidence, related what he had heard of the event through his secret channels.

Incorrectly regarded as goofs: SPOILER: Holmes says Blackwood faked his death using an extraction from a flower which is "quite infamous in the region of Turkey bordering the Black Sea for its ability to induce an apparently mortal paralysis." The modern Republic of Turkey was founded in 1923. However, in the 19th century, Westerners commonly called the Ottoman Empire "Turkey" and all of its inhabitants "Turks", even those that weren't ethnic Turks.

Incorrectly regarded as goofs: SPOILER: Although it is widely believed that British Peers (such as Lord Blackwood) were hung with silk ropes rather than hemp, this is likely a popular myth. The last Peer to be executed in England was Earl Ferrers in 1760. There is no evidence that he was hung with a silk rope, and nothing in law or practice suggests this would be the case over 150 years later.


Revealing mistakes: When fighting the large man with the hammer at the boat dock, Holmes stumbles over one of the very large dock chains and moves it several inches, revealing it to be made of a lightweight material instead of iron.

Revealing mistakes: SPOILER: Blackwood's dead father blinks his eyes in the bathtub.


Errors in geography: When Irene escapes from the sewers beneath Parliament with the poison, she emerges at Tower Bridge, about two and a half miles away, within 30 seconds.

Errors in geography: A boat slips into the Thames and sinks stern first, with the bow in the air. The Thames is very shallow at that point

Errors in geography: Irene Adler is staying at the Grand Hotel, which is shown as being in Piccadilly Circus. It was actually in Trafalgar Square.

Errors in geography: The wide shot showing the streets of London shows two barouches driving on the right side of the road. In the UK, traffic travels on the left side.

Errors in geography: SPOILER: Lord Blackwood's execution is done American-style. In Britain, the hood placed over the condemned's head was white, not black. The rope was not the coiled noose of western movies; it passed through a simple eyelet.


Crew or equipment visible: Studio lights reflected in some of the cutlery during the restaurant scene.


Factual errors: The date on the newspaper Holmes is holding after he was bailed from jail is Friday, November 19, 1891. November 19th was actually on a Thursday that year.

Factual errors: The scene in the House of Lords shows a very large chamber, with lots of people, many standing behind the Lord Speaker on the Floor of the House, talking to each other until Lord Coward, the Home Secretary calls for their attention. In reality, the Lords' Chamber is fairly small. Peers must sit on their respective benches; they are not allowed to stand on the Floor of the House. The Speaker calls the House to order, not individual peers. In fact, as a government minister, Lord Coward would normally address the Lords from the government dispatch box, which can be seen on the Table of the House. Incidentally, the Table itself is incorrectly placed in front of the Lord Speaker. It should have been placed further down, with the Law Lords sitting between the Lord Speaker and the Table.

Factual errors: The movie continues the common mistake of identifying Holmes' house as 221B Baker St. The house should be 221; "B" refers to the fact that Holmes lives on the upper floor. Mrs. Hudson lives at 221A Baker St.

Plot holes: SPOILER: Lord Blackwood was executed by hanging, yet when Dr. Watson declared Blackwood dead, there were no bruises, ligature marks on the neck, or dislocation of the cervical vertebrae. Absence of these traumas from hanging should have aroused Watson's suspicion.



Robert Maillet accidentally knocked out Robert Downey Jr. while filming a fight scene.

Robert Downey Jr. read many Sherlock Holmes stories and watched "The Adventures of Sherlock Holmes" (1984) by Granada Television (starring Jeremy Brett) in order to learn more about the character.

The song that plays from 1:03 to the end on the second trailer is a piece called "Unstoppable" by the group E.S. Posthumus (specifically 1:47 to the end on the track).

The set for Sherlock Holmes's home in this film was previously used as Sirius Black's home in Harry Potter and the Order of the Phoenix (2007).

Guy Ritchie's first film not to be Rated R in the US.

Watson's line to Holmes, "You know that what you're drinking is for eye surgery," is an obscure reference to Holmes's cocaine usage. At the time, cocaine was used as a topical anesthetic for eye surgery. In the stories, Holmes injects cocaine.

Although Irene Adler plays a large role in the movie, she only appears in one Sir 'Arthur Conan Doyle' story, "A Scandal in Bohemia", briefly referenced in the movie.

The story The Adventure of the Musgrave Ritual mentions that Holmes practiced shooting his pistol by putting VR (Victoria Regina) on his wall with bullet holes. In the movie, Holmes shoots VR in the wall in his room with a gun.

The four symbols referred to in the movie, the Man, the Lion, the Ox and the Eagle, are also attributed to the four Gospels of the Christian Bible: Matthew (Man, the humanity of Christ), Mark (Lion, for courage and for action), Luke (Ox, for strength and perseverance), and John (Eagle, for clarity of sight and for divinity).

Before the scene where Sherlock Holmes reenacts the black magic ceremony, we see a brief shot of an Inn called The Punch Bowl. The Punch Bowl is the name of Guy Ritchie's pub in Mayfair, London.

In the stories, Holmes is described to be an expert in Baritsu. In the film however, the martial art that Holmes used is the Wing-Chun Kung Fu (famously used by Ip Man and Bruce Lee). Robert Downey Jr. is a practitioner of the art in real-life and the fight scene between him and David Garrick at Punchbowl Pit was coordinated with the help of his trainer.

The line "Never theorize before you have data. Invariably, you end up twisting facts to suit theories, instead of theories to suit facts." which Holmes delivers to Watson when they are searching for the red-headed midget is a direct reference to the 'Arthur Conan Doyle' short story "A Scandal In Bohemia" , where the quote reads as "It is a capital mistake to theorize before one has data. Insensibly one begins to twist the facts to suit theories , instead of theories to suit facts." The short story also happens to feature Irene Adler, a character that is included in the movie.

Other quotes that have been taken directly from Conan Doyle stories and placed into the script:
"It makes a considerable difference to me, having someone with me on whom I can thoroughly rely." - The Boscombe Valley Mystery
"You have the grand gift of silence , Watson. It makes you quite invaluable as a companion." - The Man With The Twisted Lip
"Crime is common. Logic is rare." - The Adventure of The Copper Beeches
"Data , data , data. I cannot make bricks without clay." - The Adventure of the Copper Beeches

SPOILER: The three murders of the men and the attempted murder of Parliament coincide with the four Greek elements. The first was a burial crime scene (Earth), second was drowning (water), third was immolation (fire), and fourth was poison gas (air).

SPOILER: Guy Ritchie has stated in interviews that he is a fan of (and a practitioner) Brazilian Jujitsu, made popular in mixed martial arts. Towards the end of the movie Holmes and Watson fight Dredger and finally manage to subdue him with an arm-bar and a modified rear naked choke, both popular Brazilian Jujitsu submissions.

SPOILER: All events take place in the year 1891. After Holmes and Watson are released from custody following the events in the shipyard, Inspector Lestrade hands a newspaper ("The National Police Gazette") over to Holmes. The title on the newspaper is "LONDON IN TERROR", and the date is Friday, November 19, 1891. This sets the story during the period which, in the original Sir 'Arthur Conan Doyle' stories, Holmes was believed dead. According to "The Final Problem," Holmes and Professor Moriarty apparently plunged to their deaths over the Reichenbach Falls in May 1891. Holmes did not reveal he had survived until the spring of 1894, as described in "The Adventure of the Empty House."

Motion Picture Rating (MPAA)
Rated PG-13 for intense sequences of violence and action, some startling images and a scene of suggestive material.



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USA Movies: American Psycho [2000] Directed By Mary Harron

AWARDS:

2000: National Board of Review, USA: Special Recognition For Excellence In Filmmaking.
2001: Chlotrudis Awards Best Actor: Christian Bale
2001: Chlotrudis Awards Best Screenplay - Adapted: Mary Harron, Guinevere Turner
2001: International Horror Guild [IHG Award]: Best Movie



Tagline: No Introduction Necessary.

Plot: A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

TRIVIA:

- Two scenes featured unexpected improvisation by Christian Bale. When Bateman is jumping rope, he starts to skip and cross his jump rope as a schoolgirl would. Bale surprised director Mary Harron even more by starting to dance as Bateman was preparing to kill Paul Allen (Jared Leto). That time, she says in interviews and the commentary, she collapsed with laughter.

- Bateman excuses himself from a conversation by claiming he has an appointment with "Cliff Huxtable". This was Bill Cosby's character's name in "The Cosby Show" (1984).

- Patrick Bateman works at the same firm as Sherman McCoy in The Bonfire of the Vanities (1990): Pierce and Pierce.

- Stars Christian Bale and Willem Dafoe have both played Jesus in previous films: Bale in Mary, Mother of Jesus (1999) and Dafoe in The Last Temptation of Christ (1988).

- The movie appearing on Bateman's TV while he's working out at home is The Texas Chain Saw Massacre (1974).

- Guinevere Turner, who plays Patrick's friend "Elizabeth" (in the scene with Christie the call girl), also wrote the film's screenplay.

- A sign reading "This is not an exit" is shown in the closing scene. These are the last words of the novel.

- While the novel "American Psycho" is set in 1989, the film adaptation is set in 1987. This is evidenced by the scene where Patrick is briefly reading Zagat's Survey: 1987. Also, the televised speech by President Ronald Reagan, as shown the final scene of the film, also occurred in 1987 (whereas Reagan had already left the White House by the time the events in the original novel took place).



MPAA:Rated R for strong violence, sexuality, drug use and language.
Runtime: 102 min.

Goofs:

- Boom mic visible: During Detective Kimball's second interview with Bateman, the reflection of the microphone can be seen on the CD to Bateman's right.

- Crew or equipment visible: In multiple scenes at Bateman's apartment, the crew and camera operators are visible in the reflection of his bedroom TV.

- Crew or equipment visible: Camera and mount are briefly visible in the first shot of the title sequence, reflected in the silver knife (albeit distorted).

- Crew or equipment visible: When Bateman is at the ATM getting cash out, the lady walks by him. As he walks to catch up to her, the camera and crew are reflected in the glass of the storefront windows.

- Errors made by characters (possibly deliberate errors by the filmmakers): When Patrick tries to order drinks at the Tunnel bar, he asks for "two Stoli on the rocks." Instead, he receives two Stoli's up (no ice).

- Errors made by characters (possibly deliberate errors by the filmmakers): When being questioned by Detective Kimball, Patrick states on the night of Paul Allen's murder, he was at dinner with a woman named "Veronica". Later, however, when he and Kimball are at lunch, he says he must have had dinner with "Victoria" the following night. He changed the name of the woman. While it is possible Patrick got mixed up, it is unlikely a man of his organization would do such a thing when faced in such a situation.

- Revealing mistakes: 'Acquisitions' is spelled incorrectly (as "aquisitions") on all the business cards.

- Continuity: In the scene where Patrick is sitting on his couch making reservations for Dorsia, the camera angle from the side shows his hair styled entirely back from his face. When the camera angle switches to the front there is a noticeable lock of hair hanging in front of his face. The camera switches back to the side view and his hair is styled entirely back from his face again.

- Continuity: Bateman is at the Christmas party wearing reindeer antlers. As the camera shot changes from front to rear, the antlers move from behind Bateman's ear to in front of it.

- Continuity: When Patrick Bateman is being questioned for the first time by Detective Kimball, a pill bottle appears in front of him on the desk blotter between shots.

- Continuity: During Patrick Bateman's first meeting with Detective Donald Kimball, Jean brings Detective Kimball mineral water that he does not want. She sets the bottle of water and glass on the corner of the desk. During the conversation between Bateman and Kimball, the glass and bottle move from the corner of Bateman's desk to a slightly deeper part of the corner, and an ashtray moves into their original place.

- Continuity: When Patrick and Evelyn arrive at Espace, Vandon and Stash are sitting next to Bryce and Carruthers when being introduced to Patrick. Later in the conversation, they are sitting on the opposite side of the table.

DO NOT READ THE NEX IF YOU HAVEN'T SEEN THE MOVIE

- Revealing mistakes: SPOILER: When Bateman hits Paul Allen with the axe for the first time, the blood sprays on him before he actually hits him. Also the blood comes from a different angle than where Allen's head is supposed to be.

- Continuity: SPOILER: When Patrick Bateman is packing a suitcase in Paul Allen's apartment, the light is switched off in the bathroom behind him. But as he stands up and heads for the door the light is now switched on.

- Continuity: SPOILER: After killing Paul in his apartment, dragging his body through the lobby you can see the blood trail following the bag. But once he's outside flagging down the cab, the view back into the lobby shows no blood.

- Errors made by characters (possibly deliberate errors by the filmmakers): SPOILER: Bateman could not have killed Jean with the nail gun because that model of nail gun must be plugged into an air compressor for the nails to be fired. If he had pulled the trigger the way he was holding it [without it plugged into anything], nothing would have happened.

Blogalaxia Tags: trailer, cinema, videos, hollywood, films, movies, official+video,

QUOTES:

Patrick Bateman: There is an idea of a Patrick Bateman; some kind of abstraction. But there is no real me: only an entity, something illusory. And though I can hide my cold gaze, and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable... I simply am not there.

Patrick Bateman: I have all the characteristics of a human being: blood, flesh, skin, hair; but not a single, clear, identifiable emotion, except for greed and disgust. Something horrible is happening inside of me and I don't know why. My nightly bloodlust has overflown into my days. I feel lethal, on the verge of frenzy. I think my mask of sanity is about to slip.

Patrick Bateman: There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed. My pain is constant and sharp and I do not hope for a better world for anyone, in fact I want my pain to be inflicted on others. I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.

Patrick Bateman: Do you like Huey Lewis and The News?
Paul Allen: They're OK.
Patrick Bateman: Their early work was a little too new wave for my tastes, but when Sports came out in '83, I think they really came into their own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He's been compared to Elvis Costello, but I think Huey has a far much more bitter, cynical sense of humor.
Paul Allen: Hey Halberstram.
Patrick Bateman: Yes, Allen?
Paul Allen: Why are their copies of the style section all over the place, d-do you have a dog? A little chow or something?
Patrick Bateman: No, Allen.
Paul Allen: Is that a rain coat?
Patrick Bateman: Yes it is! In '87, Huey released this, Fore, their most accomplished album. I think their undisputed masterpiece is "Hip to be Square", a song so catchy, most people probably don't listen to the lyrics. But they should, because it's not just about the pleasures of conformity, and the importance of trends, it's also a personal statement about the band itself.
[raises axe above head]
Patrick Bateman: Hey Paul!
[he bashes Allen in the head with the axe, and blood splatters over him]
Patrick Bateman: TRY GETTING A RESERVATION AT DORSIA NOW YOU FUCKING STUPID BASTARD! YOU, FUCKING BASTARD!

Craig McDermott: If they have a great personality and they're not great looking... then who fucking cares?
Patrick Bateman: Well, let's just say hypotetically ok? What if they have a great personality?
[pause, all laugh]
Patrick Bateman: I know, I know.
[all in unison]
Patrick Bateman, Craig McDermott, David Van Patten: There are no girls with good personalities.
David Van Patten: A good personality consists of a chick with a little hard body, who will satisfy all sexual demands without being too slutty about things, and who essentially will keep her dumb fucking mouth shut.
Craig McDermott: The only girls with good personalities who are smart or maybe funny or halfway intelligent or talented, though god knows what the fuck that means, are ugly chicks.
David Van Patten: Absolutely.
Craig McDermott: And this is because they have to make up for how fucking unnattractive they are.

Patrick Bateman: Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

Patrick Bateman: I'm fucking serious. It's fucking over, us, this is no joke. I don't think we should see each other any more.
Evelyn Williams: But your friends are my friends and my friends are your friends. I really don't think it would work. You have a little something...
Patrick Bateman: I know that your friends are my friends and, uh... I've thought about that. You can have 'em.
Patrick Bateman: I don't want to get you drunk, but, ah, that's a very fine Chardonnay you're not drinking.

Patrick Bateman: Harold, it's Bateman, Patrick Bateman. You're my lawyer so I think you should know: I've killed a lot of people. Some girls in the apartment uptown uh, some homeless people maybe 5 or 10 um an NYU girl I met in Central Park. I left her in a parking lot behind some donut shop. I killed Bethany, my old girlfriend, with a nail gun, and some man uh some old faggot with a dog last week. I killed another girl with a chainsaw, I had to, she almost got away and uh someone else there I can't remember maybe a model, but she's dead too. And Paul Allen. I killed Paul Allen with an axe in the face, his body is dissolving in a bathtub in Hell's Kitchen. I don't want to leave anything out here. I guess I've killed maybe 20 people, maybe 40. I have tapes of a lot of it, uh some of the girls have seen the tapes. I even, um... I ate some of their brains, and I tried to cook a little. Tonight I, uh, I just had to kill a LOT of people. And I'm not sure I'm gonna get away with it this time. I guess I'll uh, I mean, ah, I guess I'm a pretty uh, I mean I guess I'm a pretty sick guy. So, if you get back tomorrow, I may show up at Harry's Bar, so you know, keep your eyes open.

Patrick Bateman: [after being kicked in the face by Christie the call girl] Not the face! You bitch! Not the fucking face, you piece of bitch trash!

Patrick Bateman: I live in the American Gardens Building on W. 81st Street on the 11th floor. My name is Patrick Bateman. I'm 27 years old. I believe in taking care of myself and a balanced diet and rigorous exercise routine. In the morning if my face is a little puffy I'll put on an ice pack while doing stomach crunches. I can do 1000 now. After I remove the ice pack I use a deep pore cleanser lotion. In the shower I use a water activated gel cleanser, then a honey almond body scrub, and on the face an exfoliating gel scrub. Then I apply an herb-mint facial mask which I leave on for 10 minutes while I prepare the rest of my routine. I always use an after shave lotion with little or no alcohol, because alcohol dries your face out and makes you look older. Then moisturizer, then an anti-aging eye balm followed by a final moisturizing protective lotion.

Patrick Bateman: I think, um, Evelyn that, uh, we've lost touch.
Evelyn Williams: Why? What's wrong?
Patrick Bateman: My need to engage in homicidal behaviour on a massive scale cannot be corrected but, uh, I have no other way to fulfill my needs.

Evelyn Williams: What does Mr. Grinch want for Christmas? And don't say breast implants again.

[at Paul Allen's apartment, empty and painted white]
Real estate agent: You saw the ad in the Times?
Patrick Bateman: No... Yeah, I mean yeah, in the Times.
Real estate agent: There was no ad in the Times. I think you should go now.

Patrick Bateman: Evelyn, I'm sorry. I just, uh... you're not terribly important to me.

Luis Carruthers: Patrick? Is that you?
Patrick Bateman: No Luis. It's not me. You're mistaken.



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