USA Movies: Dr. Jekyll and Mr. Hyde (1931) Directed By Rouben Mamoulian

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Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that changes him into the animalistic Mr. Hyde.

The first horror movie ever to win an Academy Award.

Release Date: 31 December 1931 (USA)
Taglines: Put yourself in her place! The dreaded night when her lover became a madman!
Genres: Drama, Horror, Sci-Fi





Storyline: Based on the story by Robert Louis Stevenson, Dr. Henry Jekyll believes that there are two distinct sides to men - a good and an evil side. He believes that by separating the two man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug it is already too late...

Technical Specs
Runtime: 98 min | 96 min (TCM print)






TRIVIA: 

- The nephew of Robert Louis Stevenson appears in a small uncredited role.
- John Barrymore, who had made a big comeback in the 1920 silent version, was offered the leading role in this film but turned it down.
- The only version where Jekyll's name is pronounced correctly as "Jee-kall".
- Mr Hyde's appearance was based on the Neanderthal man.
- When Dr. Jekyll comes to Muriel Carew's house for the final time, she is playing "Aufschwung" ("Soaring") from Fantasiestuecke, Op. 12, by Robert Schumann. This is a particularly apposite choice of music for the film, because Schumann had created two alter egos reflecting two different aspects of his personality, the impetuous and passionate "Florestan" and the introverted "Eusebius." Much of his music criticism was written using one or the other as a pseudonym, and the two frequently appear in his music in one guise or another.







GOOFS:

* Crew or equipment visible: At the beginning of the movie, when Jekyll is putting on his cape in the "mirror", the reflection of a crewmember can be seen flitting across his stomach in the glass.

* Continuity: During Hyde's first visit to the Variety Music Hall, he reaches over the railing to trip a waiter with his cane. As he lurches around to grab his cane, he knocks his top hat off the railing and it lands on the floor next to the waiter. In the next shot, Hyde is holding onto the hat as he lashes out with his cane.

* Continuity: When Mr. Hyde and Ivy sit down in front each other in the Variety Music Hall, the objects on the wall behind them change repeatedly between shots.

* Continuity: When Dr. Jekyll is making his first portion of the mixture to transform from Jekyll to Hyde the glass is very dirty and you can't see through the glass, but when he lifts the glass in front of the mirror it's perfectly clean.

* Revealing mistakes: When Dr. Jekyll is first seen in the mirror, looking directly into the camera, the effect was achieved by filming Fredric March through a hole in the wall framed to look like a mirror. But moments earlier, the trick is revealed when the butler walks past the "mirror" but has no reflection.

* Revealing mistakes: In the opening scene, as Jekyll looks into the mirror through the subjective camera, his "reflection" turns away from the mirror before the camera, (supposedly Jekyll's viewpoint) does.

* Errors made by characters (possibly deliberate errors by the filmmakers): Miriam Hopkin's character is listed as Ivy Pierson in the end credits. However in the movie, it is listed as Ivy Pearson in a newspaper article.

* Audio/visual unsynchronized: After Muriel's father consents for Jekyll & Muriel to be married the next day, Jekyll goes home and plays part of Bach's "Toccata & Fugue in D minor" on the organ. There is a mid-shot with March playing the keyboard, then there is a close-up of the hands on the keyboard. The close-up hands are an obvious double, as they are playing the piece correctly. March's mid-shot has his left hand ascending on the keyboard while the notes of the music playing are descending.






MEMORABLE QUOTES:

Poole: You should go out, sir. London offers many amusements for a gentlemen like you, sir.
Dr. Jekyll: Yes, but gentlemen like me daren't take advantage of them, Poole. Gentlemen like me have to be very careful of what we do or say.


Dr. Lanyon: Perhaps you're forgetting, you're engaged to Muriel.
Dr. Jekyll: Forgotten it? Can a man dying of thirst forget water? And do you know what would happen to that thirst if it were to be denied water?
Dr. Lanyon: If I understand you correctly, you sound almost indecent.
Dr. Jekyll: What names you give things!


Mr. Hyde: Perhaps you prefer a gentleman. One of those fine-mannered and honorable gentlemen. Those panting hypocrites who like your legs but talk about your garters.


Dr. Lanyon: You're a rebel, and see what it has done for you. You're in the power of this monster that you have created.
Dr. Jekyll: I'll never take that drug again!
Dr. Lanyon: Yes, but you told me you became that monster tonight not of your own accord. It will happen again.
Dr. Jekyll: It never will. I'm sure of it. I'll conquer it!
Dr. Lanyon: Too late. You cannot conquer it. It has conquered you!


Dr. Jekyll: Oh, God. This I did not intend. I saw a light but did not know where it was headed. I have tresspassed on your domain. I've gone further than man should go. Forgive me. Help me!


Dr. Jekyll: I have no soul. I'm beyond the pale. I'm one of the living dead!


Blond-haired student: [joking to another student about Jekyll's lecture on splitting the personality] Why don't you stay at home and send your other self to the lecture?


Mr. Hyde: If you do one thing I don't approve of while I'm gone, the LEAST little thing, mind you... I'll show you what horror means!


Mr. Hyde: [after strangling Ivy] Isn't Hyde a lover after your own heart?


Mr. Hyde: Think before you decide, I tell you! Do you want to be left as you are, or do you want your eyes and your soul to be blasted by a sight that would stagger the devil himself?



SOURCE: IMDb.com

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